Complete A – Z
Alphabetical lists
“(” listing
0 – 9 listing
A listing
B listing
C listing
D listing
E listing
F listing
G listing
H listing
I listing
J listing
K listing
L listing
M listing
N listing
O listing
P listing
Q listing
R listing
S listing
T listing
U listing
V listing
W listing
X listing
Y listing
Z listing

Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          Full credit 
          Every day you have to die some
          Every day you have to cry some
          For the room next door
          All the good times past and gone 1
          Found the party assembled on the landing
          Wipe the tears from your eyes some 2

          They found full credit in the bathroom
          The presence was voluminous

          Every day you have to die some
          Every day you have to die some
          Every day you have to cry some
          All the good times past and gone

          Commentary

          The Haunted Mansion, Disneyland
          Painting of The Haunted Mansion by Sam McKim, based on a pencil sketch by Ken Anderson. © Disney. Source: https://www.waltdisney.org/blog/long-long-haunt-artists-walts-haunted-mansion

          Note: the lyrics in italics are spoken word contributions that slip in-between and sometimes overlap the lines that Mark E. Smith sings, and which seem to be a fragment of a parallel narrative. They are not easy to get a grip on, but I’m confident that the transcription is reasonably accurate.

          “Mansion” is the first track on The Fall’s album, This Nation’s Saving Grace (1985), and “To Nkroachment: Yarbles” is the last track. The former, an instrumental version, is credited solely to Brix Smith, and the latter, with vocals, to both Brix and Mark E. Smith. Both are being a little bit cheeky, as noted below under “Sounds Like…?”

          “Nkroachment” is probably an idiosyncratic spelling of “encroachment” – a noun defined by the Shorter Oxford English Dictionary as “the action or act of encroaching”. “Encroach” is defined as “seize; obtain wrongfully.” It may have the sense of “usurp” or “go beyond limits.” “Encroachment” can be a problem for home-owners in relation to property boundaries, and so it’s worth noting that This Nation’s Saving Grace includes two songs that refer to the house that Mark and Brix had bought together: “My New House” and “Paintwork” (and of course the instrumental version of “To Nkroachment: Yarbles” is “Mansion”), so property was probably a salient topic.

          “Yarbles” is borrowed from the invented slang (called “Nadsat“) of A Clockwork Orange (1962), the novel by the Manchester-born Anthony Burgess. It means “testicles” (or, perhaps, “bollocks”). Burgess drew on Russian when creating Nadsat (he called it “a Russified version of English”).

          Note that the name of Brix’s first band, Banda Dratsing (formed with her friend Lisa Feder), consists of two Nadsat words. According to Brix:

          Our band needed a name. We toyed with The Rage, but settled on Banda Dratsing. ‘Banda’ and ‘Dratsing’ were two separate words in the made-up language Nadsat, taken from the book A Clockwork Orange, which we both loved. ‘Banda’ meant band, and ‘Dratsing’ meant fighting. Fighting Band.

          Brix Smith Start, 2016, p.129.

          Mansion

          According to Brix, “Mansion… was supposed to evoke the creepy theme song to the haunted house at Disneyland” (Smith Start, 2016, p.208). Disneyland is the original Walt Disney theme park, opening in Anaheim, California, on 27 July 1955. The Haunted Mansion attraction opened on 16 August 1969.

          The Haunted Mansion, poster
          Poster, advertising the opening of The Haunted Mansion, Disneyland

          The Haunted Mansion‘s theme song is “Grim Grinning Ghosts” [see YouTube], which according to Wikipedia can be heard in different iterations throughout the ‘ride’. It doesn’t sound like “Mansion” (see “Sounds Like…?” below).

          Some sounds from 1976 have been made available via the Long Forgotten blog, devoted to The Haunted Mansion, see the post “A 1976 Ride Through the Haunted Mansion” (posted 11 May 2010).

          1970s footage of The Haunted Mansion ride, posted to YouTube by user @Hbvideos, 15 October 2010. [Link]. According to @Hbvideos, the video was silent, so they added

          “Mansion” wasn’t ever played live in the 1980s (it was used as an intro tape), but (arguably) received a surprise debut at a gig at the Palác Akropolis, Prague, on 19 February 2002. It then opened every gig until the end of the year (or at least, all the gigs for which there is evidence of what was played). I say “arguably” because there is debate about whether it is indeed the instrumental “Mansion”, with just some opening M.E.S. ad-libs, or whether it constitutes a revival of “To Nkroachment: Yarbles”. The Track Record summarises the situation:

          Whether the subsequent performances should be filed under Mansion or its sister song,To Nkroachment: Yarbles, is somewhat problematic to decide. The lyrics of the song didn’t usually reflect those of the latter track (one exception: – “Every night I have to play this song, good evening, we are The Fall”, in the gig on 20 February 2002, Szene, Vienna) and the delivery of the music was more reminiscent of the harder edge of the instrumental version of the track. Added to this, the handwritten set lists which exist from 2002 have the track entitled quite clearly as Mansion. However, the various DVD releases of gigs from this year have the track title of To Nkroachment: Yarbles…

          The Track Record: “Mansion” [Link]

          At the time of writing, I count three setlists reproduced at https://thefall.org/gigography/gig02.html, all of which do indeed plainly list “Mansion” first.

          Sounds Like…?

          As noted above, Brix has said that “Mansion”/”No Nkroachment: Yarbles” was based on, or at least inspired by, the Disneyland haunted house theme. Which may be right atmospherically, but the riff surely owes more to “Billy the Monster” by The Deviants and/or “The Light Hurts My Eyes” by The Great Scots.

          The lyrics, meanwhile, quote from Lou Reed‘s “Home of the Brave”, from Legendary Hearts (1983):

          Every day you have to die some 
          Cry some and die some
          And every day you have to die some
          Cry some and die
          In the home of the brave

          But Lou Reed was quoting “Every Day I Have to Cry”, written by Arthur Alexander (1940 – 1993) and first recorded by Steve Alaimo (1939 – 2024). Arthur Alexander subsequently recorded his own version, but the song has been multiply covered, with notable versions by Dusty Springfield and the Bee Gees.

          Here’s the chorus:

          Every day I have to cry some 
          Every day I have to cry some
          Dry the water from my eyes some
          Every day I have to cry

          Support for the theory that Reed was quoting Arthur Alexander comes from two of Lou Reed’s biographers:

          Reed ends the song quoting lyrics from the 1965 country-soul hit “Every Day I Have To Cry Some.”

          Lou Reed: A Life, by Anthony DeCurtis (2017, p.438).

          Lou even threw in a gloomy chorus of the Sixties soul standard by Arthur Alexander, ‘Every Day I Have To Cry’, to ram the message home.

          Lou Reed: The Defining Years, by Peter Doggett (2012) [originally published as Growing Up in Public, 1992]

          M.E.S. was evidently familiar with both the Lou Reed song and at least one version of Arthur Alexander’s composition (there’s no “die some” in the original, and no “dry the water from my eyes” in Lou Reed’s song, but M.E.S. sings both).

          There’s a letter in the fanzine The Biggest Library Yet from Gary Young of Harrogate. He reports being taken aback at hearing the words to “To Nkroachment: Yarbles” on a friend’s Northern soul compilation:

          Travelling by car to the 25th Anniversary of Wigan Casino, we were listening to a compilation tape of Northern Soul classics my mate had put together. We were amazed when all of a sudden, over a cranked up soul beat the words to TO NK ROACHMENT: YARBLES came blasting out of the speakers. I’d heard it said that this Fall number had ransacked a Dusty Springfield version of a song called EVERY DAY I HAVE TO CRY, but it transpires the version on my mates car stereo pre-dates this.

          The original was by Steve Alaimo, and was released on the Checker label (thru’ Chess) – for the benefit of sad Fall anoraky obsessives vinyl copies of this record can be picked up for about a fiver at Northern Soul All-Nighters.

          He goes on:

          Prior to a recent Fall gig, I was fortunate enough to engage Mark E Smith in conversation and related the above story of discovery to him. “You bloody trainspotter!” he retorted. He’s right of course, but I know I’m not alone when it comes to matters appertaining to the Fall.

          Young, 1999.

          Careful though: this is not necessarily M.E.S. confirming definitively which version of the song was the origin of his lyrics.

          Footnotes

          1. As discussed in this post, a chunk of the lyrics of this song are ultimately derived from a song written by Arthur Alexander. The line, “all the good times past and gone” is also likely borrowed. But, again, it’s not entirely clear which song it is borrowed from. There is the traditional folk/country song, recorded by hundreds of artists including The Monroe Brothers (“All the Good Times Are Passed and Gone”, 1937), Jimmy Martin And The Sunny Mountain Boys (“All the Good Times Are Past and Gone”, 1960), and the bluegrass duo Lester Flatt and Earl Scruggs (“Good Times Are Past And Gone”, 1962). The earliest known recorded version (with the title, “All The Good Times Are Passed And Gone”) was by Fred and Gertrude Gossett in 1930. Bobby Bare recorded the Howard Hausey (AKA Howard Crockett)-credited “All The Good Times Are Past And Gone” for his 1966 album Talk Me Some Sense. Crockett’s own version had appeared on Motown’s country-music label, Mel-o-dy Records, as “All The Good Times Are Gone” in 1965. Bare’s version has slightly different lyrics. More research is required to disentangle all of this. ↩︎
          2. Some transcriptions have “son” instead of “some”, but I think “some” fits with the other lines so I’m sticking with it. ↩︎

          Sources / Links

          Views: 89
          Date published:
          Last updated:

          Comments

          Subscribe
          Notify of
          guest

          This site uses Akismet to reduce spam. Learn how your comment data is processed.

          0 Comments
          Oldest
          Newest Most Voted
          Inline Feedbacks
          View all comments