Lyrics
The bath clique 1
Out of reach
The bath clique
Thank God
Out of reach
The women have skins of peach 2
Old
They're making my bad dreams over
The bath clique is out of reach
Making my bad dreams over
Stretches outside
Stretches outside
Extension magnifique
On a beach
On a beach
And a street
James Murphy is their chief 3
They show their bollocks when they eat 4
Commercial rate awaits
For all those who join clique
And make their pledge 5
And put their material
In the [ ]
Awaits for you, awaits for all
Join clique
Join clique
Make the pledge
Within reach
Within reach
Within reach
Within reach
Within reach
Bath clique in our reach
Stretching outside
Bath clique out of reach
Stretches outside
On a beach
In a street
J Murphy is their chief
A founder awaits
For me, for all
Who make a pledge
To join
Who join clique
Bath clique awaits
And make their pledge
And make their pledge
Bath clique
And make their pledge
Bath clique
Commentary
< Post in progress >
“Irish” first appeared on the album Re-Mit (2013). It is credited to Mark E. Smith, Keiron Melling and Dave Spurr. In addition to that studio version, there are three officially released live performances (out of a documented total of thirteen, mainly in 2012, with three known outings in 2013 and just one in 2014):
- The Lowry, Salford, 23 September 2012. Released on Live Uurop VIII-XII Places In Sun & Winter, Son (Cherry Red: CD, CDBRED599 and 2xLP, BRED599, 2014).
- The Grand, Clitheroe, 25 April 2013, Gig released as Live In Clitheroe (Ozit – Morpheus Records LP: OZITDANLP 8029, 2017).
- Out.Fest, Barreiro, Portugal, 12 October 2013. Gig released as Out Ferroviarios (Cog Sinister/Gonzo Multimedia Double CD: COGGZ140CD, 2021)
According to Steve Pringle, the song “verges on the messy and formless on occasions, but overall there’s a well-judged balance between the menacingly restrained verse and the mor uninhibited chorus, packed full of Greenway’s ascending-descending chords.” (2022, p.485). Tommy Mackay is unenthusiastic: “… a very competent guitar riff with MES growling over it… that’s all it boils down to. Apart from the mumbles in one channel over the other guitar part, there’s nothing strange, exciting or unexpected happening here.” (2018, p.240).
The apparently key lyrical concept of the “bath clique”, a phrase repeated throughout the song, unfortunately remains entirely obscure. Does it refer to a Turkish bath, or to the nineteenth century Conservative Party faction led by Lord Bath, or to the city of Bath? Nobody knows. See the footnotes for some exploration of potential meanings, however – and not unusually – the search for a fixed and intentional meaning in these lyrics may be a wild goose chase: Mark E. Smith admitted that the words were made up quickly (which I take to mean they were more or less improvised in the studio).
Footnotes
- As noted in the Commentary, it’s not clear what “bath clique” refers to, or whether and how it is connected to the song title, “Irish”. Bath is a city in Somerset, England, best known – and named after – it’s Roman-era bath-houses. “Bath” might also refer more specifically, to such bath-houses, public steam baths or ‘Turkish’ baths (correctly named ‘hammams’, see Wikipedia). It could, at a stretch, refer to the ruling party elite in Saddam Hussein’s Iraq or in Syria – “Ba’ath clique”. bzfgt, in the entry for “Irish” at his original version of The Annotated Fall, speculates – I think very wildly – that there might be a connection between the giants of Irish mythology and the name “Bath”. The steam baths angle is given some plausibility by the lyrical references to women with “skins of peach” (if that is indeed the lyric) and “stretching” (i.e. yoga exercises).
“Bath clique” as a specific phrase has been used historically. For the anti-Disraeli group centred around the then Lord Bath (John Thynne, 4th Marquess of Bath, 1831 – 1896 – note that the Thynne family owned the Bath Estate in County Monaghan, Ireland) see Smith (1966):
“Disraeli had to prop the old aristocrat in the leadership because only Derby could shield him from the group in the party who wished to break him. They were headed by the Marquis of Bath and included Lord Cadogan, Sir Rainald Knightly, Baillie Cochrane, ‘Big Ben’ Bentinck, the Lowthers and Beresford Hope – veterans of the attempt to remove Disraeli in 1860… The Bath clique emboldened by the three notable resignations from the Government in 1867, became a continual hazard to Disraeli’s ambitions throughout 1867 and 1868.” (p.124).
See also Ramsden (1999, pp.94-95):
“There was, though, a faction among the Conservatives, known as ‘the Bath clique’ after their leader Lord Bath, which had tried to remove Disraeli in 1860 and were soon to try again, so suspicious were they of his adventurous brand of Conservatism and his flamboyant manner (criticism of which was often in coded language that scarcely concealed the critics’ anti-semitism).” (p.94)
and
“Early in the 1867 session Derby’s Cabinet therefore decided to test the water in the Commons by proposing a series of reform resolutions, and when those went well it committed itself to a bill of its own, and to an ambitious one at that. Having consulted backbenchers, Disraeli reported to Derby his view ‘that the bold line is the safer one, & moreover, that it will be successful’. This in itself was an awkward business which led to the resignation of three ‘Bath clique’ ministers, Cranborne, Peel and Carnarvon, who argued strongly that the bill now being proposed was too radical…” (p.95). ↩︎ - This might be wrong. At the original Annotated Fall, bzfgt struggles with this line, noting that it might also be “stills of peach”, “steals a peach”, “stills of each”, “skills of peach” or “skills of each”. He says: “I just went with my ears, as the context really doesn’t make any of these options more likely than any other.” But “skins of peach” does seem more plausible to me. ↩︎
- This may be James Murphy, who is an American musician, admittedly influenced by The Fall. He is best known as the leader of LCD Soundsystem, whose song “Movement” quotes from The Fall’s “Telephone Thing” (“I’m tapped”). When asked about “Irish” by William Van Meyer for Vulture, M.E.S. did not quite admit that he was referring to this James Murphy, but nor did he deny it:
In the song “Irish,” you say “James Murphy is their chief, they show their bollocks when they eat.” Is this the Murphy from LCD Soundsystem or an Irish everyman James Murphy?
Ha-ha. What do you think? Are you a big fan of his? I had to make up some lyrics quick for that one.
Source: Van Meter, 2013. ↩︎ - “… ranks amongst his most entertaining lines”, in Steve Pringle’s opinion (2022, p.485). It has been suggested that the line is a reference to a woodcut illustration (specifically, plate 3) from John Derricke’s anti-Irish The Image of Irelande, with a Discoverie of Woodkarne (1581) which depicts “the chief of the Mac Sweynes seated at dinner and being entertained by a bard and a harper” (/ Irish people displaying their buttocks at a feast. See Wikipedia and University of Edinburgh Library. ↩︎
- Potentially a reference to crowdfunding, for example sites like Indiegogo, Kickstarter and, in particular, PledgeMusic. Mark E. Smith had contributed vocals to the tracks “Mutation” and “Relentless Confliction” on Error 500, the 2013 album from Ginger Wildheart‘s ‘Mutation’ project, which was funded via PledgeMusic (see Discogs). See also the song “Pledge!” from 2015’s Sub-Lingual Tablet.
However, there is also the abstentionist pledge of the temperance movement, and the Irish Catholic Confirmation pledge, in which (typically) eleven-twelve year-olds promise to God that they will abstain from alcohol until they are eighteen. ↩︎
Sources / Links
- The Annotated Fall: “Irish” [Archived]
- Mackay, Tommy (2018). 40 Odd Years of The Fall. Place of publication unknown: Greg Moodie.
- Pringle, Steve (2022). You Must Get Them All: The Fall on Record. [paperback edition]. Pontefract: Route Publishing Ltd. [Online store]
- Ramsden, John (1999). An Appetite for Power: A History of the Conservative Party since 1830. London: HarperCollins. [Available online via The Internet Archive]
- Smith, F.B. (1966). The Making of the Second Reform Bill. Cambridge: Cambridge University Press. [Available online via The Internet Archive]
- The Track Record: “Irish“
- Van Meter, William (2013). “The Fall’s Mark E. Smith on Re-Mit, Playing for German Lawyers, and H.P. Lovecraft.” Vulture, 13 May. [Online] [Archived]

