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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Fall Heads Roll – Chapel Studio Demos
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          The bath clique 1
          Out of reach
          The bath clique
          Thank God
          Out of reach
          The women have skins of peach 2
          Old
          They're making my bad dreams over
          The bath clique is out of reach
          Making my bad dreams over
          Stretches outside
          Stretches outside
          Extension magnifique
          On a beach
          On a beach
          And a street
          James Murphy is their chief 3
          They show their bollocks when they eat 4
          Commercial rate awaits
          For all those who join clique
          And make their pledge 5
          And put their material
          In the [ ]
          Awaits for you, awaits for all
          Join clique
          Join clique
          Make the pledge
          Within reach
          Within reach
          Within reach
          Within reach
          Within reach
          Bath clique in our reach
          Stretching outside
          Bath clique out of reach
          Stretches outside
          On a beach
          In a street
          J Murphy is their chief
          A founder awaits
          For me, for all
          Who make a pledge
          To join
          Who join clique
          Bath clique awaits

          And make their pledge
          And make their pledge
          Bath clique
          And make their pledge
          Bath clique

          Commentary

          < Post in progress >

          “Irish” first appeared on the album Re-Mit (2013). It is credited to Mark E. Smith, Keiron Melling and Dave Spurr. In addition to that studio version, there are three officially released live performances (out of a documented total of thirteen, mainly in 2012, with three known outings in 2013 and just one in 2014):

          • The Lowry, Salford, 23 September 2012. Released on Live Uurop VIII-XII Places In Sun & Winter, Son (Cherry Red: CD, CDBRED599 and 2xLP, BRED599, 2014).
          • The Grand, Clitheroe, 25 April 2013, Gig released as Live In Clitheroe (Ozit – Morpheus Records LP: OZITDANLP 8029, 2017).
          • Out.Fest, Barreiro, Portugal, 12 October 2013. Gig released as Out Ferroviarios (Cog Sinister/Gonzo Multimedia Double CD: COGGZ140CD, 2021)

          According to Steve Pringle, the song “verges on the messy and formless on occasions, but overall there’s a well-judged balance between the menacingly restrained verse and the mor uninhibited chorus, packed full of Greenway’s ascending-descending chords.” (2022, p.485). Tommy Mackay is unenthusiastic: “… a very competent guitar riff with MES growling over it… that’s all it boils down to. Apart from the mumbles in one channel over the other guitar part, there’s nothing strange, exciting or unexpected happening here.” (2018, p.240).

          The apparently key lyrical concept of the “bath clique”, a phrase repeated throughout the song, unfortunately remains entirely obscure. Does it refer to a Turkish bath, or to the nineteenth century Conservative Party faction led by Lord Bath, or to the city of Bath? Nobody knows. See the footnotes for some exploration of potential meanings, however – and not unusually – the search for a fixed and intentional meaning in these lyrics may be a wild goose chase: Mark E. Smith admitted that the words were made up quickly (which I take to mean they were more or less improvised in the studio).

          Footnotes

          1. As noted in the Commentary, it’s not clear what “bath clique” refers to, or whether and how it is connected to the song title, “Irish”. Bath is a city in Somerset, England, best known – and named after – it’s Roman-era bath-houses. “Bath” might also refer more specifically, to such bath-houses, public steam baths or ‘Turkish’ baths (correctly named ‘hammams’, see Wikipedia). It could, at a stretch, refer to the ruling party elite in Saddam Hussein’s Iraq or in Syria – “Ba’ath clique”. bzfgt, in the entry for “Irish” at his original version of The Annotated Fall, speculates – I think very wildly – that there might be a connection between the giants of Irish mythology and the name “Bath”. The steam baths angle is given some plausibility by the lyrical references to women with “skins of peach” (if that is indeed the lyric) and “stretching” (i.e. yoga exercises).

            “Bath clique” as a specific phrase has been used historically. For the anti-Disraeli group centred around the then Lord Bath (John Thynne, 4th Marquess of Bath, 1831 – 1896 – note that the Thynne family owned the Bath Estate in County Monaghan, Ireland) see Smith (1966):

            “Disraeli had to prop the old aristocrat in the leadership because only Derby could shield him from the group in the party who wished to break him. They were headed by the Marquis of Bath and included Lord Cadogan, Sir Rainald Knightly, Baillie Cochrane, ‘Big Ben’ Bentinck, the Lowthers and Beresford Hope – veterans of the attempt to remove Disraeli in 1860… The Bath clique emboldened by the three notable resignations from the Government in 1867, became a continual hazard to Disraeli’s ambitions throughout 1867 and 1868.” (p.124).

            See also Ramsden (1999, pp.94-95):

            “There was, though, a faction among the Conservatives, known as ‘the Bath clique’ after their leader Lord Bath, which had tried to remove Disraeli in 1860 and were soon to try again, so suspicious were they of his adventurous brand of Conservatism and his flamboyant manner (criticism of which was often in coded language that scarcely concealed the critics’ anti-semitism).” (p.94)

            and

            “Early in the 1867 session Derby’s Cabinet therefore decided to test the water in the Commons by proposing a series of reform resolutions, and when those went well it committed itself to a bill of its own, and to an ambitious one at that. Having consulted backbenchers, Disraeli reported to Derby his view ‘that the bold line is the safer one, & moreover, that it will be successful’. This in itself was an awkward business which led to the resignation of three ‘Bath clique’ ministers, Cranborne, Peel and Carnarvon, who argued strongly that the bill now being proposed was too radical…” (p.95). ↩︎
          2. This might be wrong. At the original Annotated Fall, bzfgt struggles with this line, noting that it might also be “stills of peach”, “steals a peach”, “stills of each”, “skills of peach” or “skills of each”. He says: “I just went with my ears, as the context really doesn’t make any of these options more likely than any other.” But “skins of peach” does seem more plausible to me. ↩︎
          3. This may be James Murphy, who is an American musician, admittedly influenced by The Fall. He is best known as the leader of LCD Soundsystem, whose song “Movement” quotes from The Fall’s “Telephone Thing” (“I’m tapped”). When asked about “Irish” by William Van Meyer for Vulture, M.E.S. did not quite admit that he was referring to this James Murphy, but nor did he deny it:

            In the song “Irish,” you say “James Murphy is their chief, they show their bollocks when they eat.” Is this the Murphy from LCD Soundsystem or an Irish everyman James Murphy?

            Ha-ha. What do you think? Are you a big fan of his? I had to make up some lyrics quick for that one.


            Source: Van Meter, 2013. ↩︎
          4. “… ranks amongst his most entertaining lines”, in Steve Pringle’s opinion (2022, p.485). It has been suggested that the line is a reference to a woodcut illustration (specifically, plate 3) from John Derricke’s anti-Irish The Image of Irelande, with a Discoverie of Woodkarne (1581) which depicts “the chief of the Mac Sweynes seated at dinner and being entertained by a bard and a harper” (/ Irish people displaying their buttocks at a feast. See Wikipedia and University of Edinburgh Library. ↩︎
          5. Potentially a reference to crowdfunding, for example sites like Indiegogo, Kickstarter and, in particular, PledgeMusic. Mark E. Smith had contributed vocals to the tracks “Mutation” and “Relentless Confliction” on Error 500, the 2013 album from Ginger Wildheart‘s ‘Mutation’ project, which was funded via PledgeMusic (see Discogs). See also the song “Pledge!” from 2015’s Sub-Lingual Tablet.

            However, there is also the abstentionist pledge of the temperance movement, and the Irish Catholic Confirmation pledge, in which (typically) eleven-twelve year-olds promise to God that they will abstain from alcohol until they are eighteen. ↩︎

          Sources / Links

          • The Annotated Fall: “Irish” [Archived]
          • Mackay, Tommy (2018). 40 Odd Years of The Fall. Place of publication unknown: Greg Moodie.
          • Pringle, Steve (2022). You Must Get Them All: The Fall on Record. [paperback edition]. Pontefract: Route Publishing Ltd. [Online store]
          • Ramsden, John (1999). An Appetite for Power: A History of the Conservative Party since 1830. London: HarperCollins. [Available online via The Internet Archive]
          • Smith, F.B. (1966). The Making of the Second Reform Bill. Cambridge: Cambridge University Press. [Available online via The Internet Archive]
          • The Track Record: “Irish
          • Van Meter, William (2013). “The Fall’s Mark E. Smith on Re-Mit, Playing for German Lawyers, and H.P. Lovecraft.” Vulture, 13 May. [Online] [Archived]
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