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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment โ€“ Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC โ€“ expanded Digipak edition Disc 2
Reformation! Post TLC โ€“ expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Sรผdenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          Slapp Happy/Henry Cow 1

          [invocation]: Tell of the birth 2
          Tell how war appeared on earth 3

          Thunder and herbs
          Conjugated sacred Verbs
          Musicians with gongs
          Fertilised an egg with song
          Asleep in the sphere
          her foetus was a Knot of fear.
          She butted with her horn
          Split an egg and war was Born
          A miracle of hate
          She banged her spoon against her plate

          Upon her spoon this motto
          wonderfully designed:
          "Violence completes the partial mind." 4

          // Tell of the birth
          Tell how war appeared on earth

          Musicians with gongs
          Fertilised an egg with song
          She butted with her horn
          Split an egg and war was Born
          // 5

          Stacking the bones
          on the empty aerodrome
          Tinted turtle green
          She haunts the slender submarine
          She shakes her gory locks
          over the deserted docks.

          Come follow me
          Out of dark obscurity
          Follow my torch
          Pilgrims at the double march
          Through meadows & seas
          Abattoirs and Libraries
          The pilgrims increase
          Boasting they are led by peace
          They gut huts with gusto
          Pillage villages with verve
          War does what she has to
          People get what they deserve

          Upon her spoon this motto
          wonderfully designed:
          "Violence completes the partial mind."

          Anthony Moore 6

          Tell of the birth 
          Tell how war appeared on earth

          Thunder and herbs
          Conjugated sacred Verbs

          Collisions in time
          Paralyse the partial mind
          Asleep in the sphere
          her foetus was a Knot of fear.
          She butted with her horn
          Split an egg and war was Born
          A miracle of hate
          She banged her spoon against her plate

          On her spoon this motto
          Wonderfully designed:
          "Violence completes the partial mind."

          Stacking the bones
          On the empty aerodrome
          Tinted turtle green
          She haunts the slender submarine
          She shakes her gory locks
          Over the deserted docks

          Come follow me
          Out of dark obscurity
          Follow my torch
          People at the double march
          Through meadows and seas
          Abattoirs and libraries
          And still they increase
          Boasting they are led by peace

          On her spoon this motto
          Wonderfully designed:
          "Violence completes the partial mind."

          Tell of the birth
          Tell how war appeared on earth

          Thunder and herbs
          Conjugated sacred Verbs

          A miracle of hate
          She banged her spoon against her plate

          Stacking the bones
          On the empty aerodrome
          Tinted turtle green
          She haunts the slender submarine
          She shakes her gory locks
          Over the deserted docks

          They gut huts with gusto
          Pillage villages with verve
          War does what she has to
          People get what they deserve

          On her spoon this motto
          Wonderfully designed:
          "Violence completes the partial mind."

          The Fall / Middle Class Revolt

          Tell of the birth
          Tell how War appeared on earth 7

          Musicians with gongs
          Permeate the autobahns
          She split the egg
          Foetus of disgusting breath

          And she split the womb
          Cast a spell and War was born

          Come follow me
          Out of the obscurity
          Pilgrims in songs
          Swamp the empty aerodromes
          Kalashnikovs but no houses
          Women at the double, march
          No food for the spouses
          They wait for the U.S. drop
          Russians sit back and laugh

          While War casts her gory locks
          Over the deserted docks
          She casts the gory locks
          Over the deserted docks

          Tell of the birth
          Tell how War appeared on earth

          She cast a spell
          Split an egg and War was born
          And pillage hopes with gusto
          Even though they have no nerve
          And she does just look on
          And War does what she has to

          War does what she has to
          People get what they deserve

          Commentary

          < Post in progress >

          Is that a Henry Cow cover [“War”] on Middle Class Revolt? Are you actually a fan of that group or just that particular cut?

          Well, that’s not really Henry Cow, it’s Slapp Happy. No, I didn’t like a lot of that stuff, actuallyโ€ฆ

          I was kind of surprised that it was on there.

          Yeah, I find most of it very boring, though the Slapp Happy bits of it were good. I decided we should do it because it fit in with “Free Range” [single released during Operation Desert Storm] and stuff like that, what we’d been doing. But I went to get the Slapp Happy LP out, and I’d lost it; I hadn’t really played it for about eight years. So, all I had were the Iyrics on the back, and I had to explain it to the group, you know? from memory.

          I suppose that can sometimes be more fruitful than picking it out note-for-note…

          MES: Well, the funny thing was that I found the record again, and it’s a completely different bloody song. [laughs] Same Iyrics, you know, but the arrangement is completely different, not even the same notes. It’s funny what you think things sound like.

          Well, see, now you can put your name on it and get a piece of the publishing.

          MES: [Laughs] No, no, I don’t believe in that.

          Source: Tim Midgett (out of Silkworm) interview with MES, The Rocket, #189, 14-28 September 1994, p.16. See Sources/Links for availability.

          Note that MES’ reference to having the lyrics but not the record indicates that it was indeed the In Praise of Learning version that is being covered, rather than Anthony Moore’s solo version (because Moore’s album doesn’t have printed lyrics).

          Described as a “spirited” cover by Simon Ford (2003, p.228), and “strident, aggressive… One of the more successful covers.” by Steve Pringle (2022, p.275), this is one of my favourite covers versions by The Fall (I have a lot of time for Slappy Happy and a soft spot for much of Henry Cow). This despite not sounding very much like the original, presumably for the reasons explained by MES in his interview with Tim Midgett, above. Both Pringle and Tommy Mackay (2018, p.138) note a similarity of the guitar line to “Echo Beach” by Martha and the Muffins (1980).

          Slapp Happy/Henry Cow’s Version

          The story of the Slapp Happy/Henry Cow collaboration/semi-merger is liable to become a bit complicated, but here at Annotation Research Laboratories we laugh in the face of convoluted band histories.

          Anthony Moore’s Version

          The Fall’s Version

          Footnotes

          1. I’ve used as my starting point the lyrics as they appear on the sleeve of the original issue of In Praise of Learning, including idiosyncratic capitalisation, adjusting for what can actually be heard on the record. โ†ฉ๏ธŽ
          2. “[invocation]” is a textual note, not sung. โ†ฉ๏ธŽ
          3. War is personified in the text, so it seems appropriate to give the word a capital initial letter. This was not what was done when the text was printed on the original album, however, and so I feel obliged to follow that example for the In Praise of Learning text. But I’m right and Slappy Happy and Henry Cow are wrong, so my transcription of The Fall’s version capitalises “War”. โ†ฉ๏ธŽ
          4. According to Peter Blegvad, the line “violence completes the partial mind” is “from Yeats” (see Cutler, 2019, p.55). I’ve checked, and it’s not actually a direct quote. The source is Yeats’ poem Under Ben Bulben, thought to have been written in August 1938, and first published in July 1939, six months after Yeats’ death at the age of 73. The relevant lines appear in part III of the poem:

            You that Mitchell’s prayer have heard,
            ‘Send war in our time, O Lord!’
            Know that when all words are said
            And a man is fighting mad,
            Something drops from eyes long blind,
            He completes his partial mind,
            For an instant stands at ease,
            Laughs aloud, his heart at peace.
            Even the wisest man grows tense
            With some sort of violence
            Before he can accomplish fate,
            Know his work or choose his mate.


            (Source: Yeats, 1985, p.398 – Available in the Internet Archive) โ†ฉ๏ธŽ
          5. These repeated lines are omitted from the text on the back of the album, but they are heard on the record so I have included them here. โ†ฉ๏ธŽ
          6. This version of the lyrics is my transcription from Anthony Moore’s 1979 album, Flying Doesn’t Help. It was originally released under the name “A. More”. โ†ฉ๏ธŽ
          7. My transcription of The Fall’s version of the lyrics capitalises “War” because it’s a personification, in defiance of the plainly incorrect text published with the original album. โ†ฉ๏ธŽ

          Sources / Links

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