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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Fall Heads Roll – Chapel Studio Demos
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          Odeon 1
          Sky
          Uncanny
          Bushes are in disagreement with the heat

          L.A.

          Uncanny
          Person
          They have filled boulevards with white snow, scum-ball

          L.A.

          This is my happening and it freaks me out
          This is my happening and it freaks me out
          This is my happening and it freaks me out

          Commentary

          < Post in progress >

          “L.A.”, to begin by stating the obvious, is Los Angeles, a well-known city in California, United States of America.

          “I like LA a lot. I like the old Hollywood ghosts and shit. I love the old plastic bit of it, it’s more haunted than any old place. The atmosphere’s very still, I think that has a lot to do with it, so things stick a lot more.

          “If you ever get really drunk in LA and wake up in the morning with a real hangover, your head is like burning off. You go out an the sun is blaring your face and there’s nothing on the street, just big roads, it’s all cars, you can’t walk anywhere. It’s really cool. I like all that shit, it’s really surreal. You can see how people go nuts living there.”

          Mark E. Smith, interviewed by Edwin Pouncey (AKA Savage Pencil), see Pouncey, 1985, p.6.

          Los Angeles is where Brix Smith Start was born:

          I was born in Los Angeles, California, at the Cedars of Lebanon hospital at 8.30 in the morning, 12 November 1962. The name on my birth certificate said Laura Elisse Salenger.

          Brix Smith Start, 2016, p.16.

          Brix’s mother and biological father were divorced before Brix was two years old. Then her mother met a new partner, Marvin, and they moved to Chicago. Brix didn’t want to go.

          LA had seemed alluring and glamorous to me. The weather was always perfect and the air, even if it was smoggy, smelled of gardenias and jasmine, patchouli and coconut. People on the streets were happy and LA life had an optimistic bounce. My passion for LA and the heartbreak I felt at leaving it would inspire me, years later, to write the Fall song ‘LA’ and the Adult Net song ‘Waking Up in the Sun’. They were love songs to a city, my real home, and the loss of my childhood innocence.

          Brix Smith Start, 2016, p.65.

          Brix’s composition may have been a love song, but Mark E. Smith’s lyrics are a somewhat different story.

          Footnotes

          1. To British listeners, “Odeon” will probably bring to mind the UK’s biggest cinema chain, Odeon Cinemas (see Wikipedia), which may – or may not – be a deliberate lyrical connection to Hollywood (in Los Angeles). The first Odeon cinema opened in Birmingham in 1930. The unrelated Canadian Cineplex Odeon company opened a multiplex cinema in Los Angeles’ Beverley Center in 1982. Maybe that’s the reference.

            Alternatively, perhaps “Odeon” and the next line, “sky”, should be treated together I found the phrase “Odeon sky” in “Sorry, Miss Crouch”, a short story by the Welsh poet Dannie Abse which was first published in Punch in 1978. There is a cinematic context here too:

            “I had been to the cinema many times. I’d seen Al Jolson. And between films, when the organ suddenly rose triumphantly from the pit, it changed its colours just like the sky was slowly doing now – the Odeon sky. Amber, pink, green, mauve.”

            The story has been reprinted in three Dannie Abse anthologies:

            Miscellany 1: Volume 1 (Bridgend: Poetry Wales Press, 1981)
            A Strong Dose of Myself (London: Hutchinson, 1983)
            There Was a Young Man from Cardiff (London: Hutchinson, 1991)

            It is also available in a couple of multi-author collections:

            The Punch Book of Short Stories (ed. Alan Coren. London: Robson Books, 1979 and Harmondsworth: Penguin, 1980)
            The New Penguin Book of Welsh Short Stories (ed, Alun Richards. London: Viking, 1993) (reprinted as The Second Penguin Book of Welsh Short Stories. London: Penguin, 1994). ↩︎

          Sources / Links

          • Abse, Dannie (1978). “Sorry, Miss Crouch.” Punch, 1 February. pp.194-196. [Text partially available via the Internet Archive]
          • The Annotated Fall: “L.A.” [Archived]
          • Ford, Simon (2003). Hip Priest: the story of Mark E Smith and The Fall. London: Quartet Books.
          • Mackay, Tommy (2018). 40 Odd Years of The Fall. Place of publication unknown: Greg Moodie.
          • Pouncey, Edwin (1985). “Creek Show.” Sounds, 28 September. pp.6-7.
          • Pringle, Steve (2022). You Must Get Them All: The Fall on Record. [paperback edition]. Pontefract: Route Publishing Ltd. [Online store]
          • Smith, Mark E. (1985). The Fall Lyrik & Texte Von Mark E. Smith. In Deutsch & Englisch. With Drawings by Brix. Berlin: The Lough Press. [AKA The Orange Book. Available online in The Internet Archive]
          • Smith, Mark E. (2008). vII. The Lough Press & AMarquisManipulationProductions. [AKA the Blue Lyrics Book]
          • Smith Start, Brix (2016). The Rise, The Fall, and The Rise. London: Faber & Faber. [Text available online in archive.org]
          • The Track Record: “L.A.”
          • Wolstencroft, Simon (2014). You Can Drum But You Can’t Hide: a memoir. Trowbridge: Strata Books. (2nd edition published by Route Publishing, 2017).
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