Lyrics
Who makes the Nazis?
Who makes the Nazis?
I'll tell your who makes the Nazis
All the Os
Oeno 1
Spermo
Two nine year old
Arse-licking hate [ ] old
Who makes the Nazis?
Bad Tele-V
Who makes the Nazis?
Balding smug faggots
Intellectual halfwits
All the Os
Who makes the Nazis?
The Nazis are long horn
Long horn breed
Long horn, long horn breed
Long horns, long horn breed
Who makes the Nazis?
Remember when I used to follow you home from school, babe?
Before I got picked up for paedophilia
Who makes the Nazis?
Motels like three split-level mirages
Who makes the Nazis?
Buffalo lips on toast, smiling
Who makes the Nazis?
I put a finger on the weird
This was real Irish know
Joe was then good as gold
And told of the rapists in the Spa Motel 2
The real mould
The real mould
Who makes the Nazis?
Benny's cobweb eyes!
Who makes the Nazis?
Bad bias TV
R'n'R badges
BBC, George Orwell, Burmese police
Who Makes the Nazis?
Longhorn, longhorn breed
Longhorns, longhorn breed
Who makes the Nazis?
(Rest rooms)
Black burnt flesh
Hark hark
Crack unit species
Who makes the Nazis?
(All the Os cross-country)
Who makes the Nazis?
[Man] super shag-artists
Who makes the Nazis?
Bad bias Tele-V
You mind tellin' me?
Here's a word from Bobby
When you're out of rocks, just give them real soap
Hates not your enemy, love's your enemy
Murder all bush monkeys
Long horn, long horn breed
Who makes the Nazis?
Who makes the Nazis?
Bad bias TV
Real mould
Real Irish know, Joe
Who makes the Nazis?
Intellectual halfwits
Longhorn, longhorn breed
Longhorn, longhorn breed
Longhorn, longhorn breed
Who makes the Nazis?
Commentary
< Post in progress >
Footnotes
- Not “Wino” as many transcriptions of the lyric would have it; this is one of my research discoveries from 2021. In Greek mythology, Oeno, Spermo and Elais were the daughters of Anius, the son of Apollo and Rhoeo. The three are known as the Oenotropae (which literally means “winegrowers”). According to Robert Graves in his The Greek Myths (s.160, u, p.645):
“By his wife Dorippe, Anius was the father of three daughters: Elais, Spermo, and Oeno, who are called the Winegrowers; and of a son, Andron, king of Andros, to whom Apollo taught the art of augury. Being himself a priest of Apollo, Anius dedicated the Winegrowers to Dionysius, wishing his family to be under the protection of more than one god. In return, Dionysius granted that whatever Elais touched, after invoking his help, should be turned into oil; whatever Spermo touched, into corn; and whatever Oeno touched, into wine. Thus Anius found it easy enough to provision the Greek fleet.”
The story of the Oenotropae (see Wikipedia) is also relatively easily found in Ovid’s Metamorphoses. โฉ๏ธ - If we think of this song as partially inspired by experiences while touring America (June – July 1981 and/or previously), then I have identified a likely real-world reference for this line.
A series of attacks at motels in Chicago commenced in February 1981, attributed to “the motel rapist”. Timothy Mabe, age 22, was indicted for these crimes in June that year, which brought an end to the crimes.
At least three attacks took place at the Spa Motel, Chicago.
The Fall played at Tut’s, Chicago, in July 1981, and may have stayed at one of the motels involved, spoken to people who knew of the case, or read about it in the newspapers.
Mabe was eventually convicted in September 1982 and imprisoned. โฉ๏ธ
Sources / Links
- The Annotated Fall: “Who Makes the Nazis?” [Archived]
- Ford, Simon (2003). Hip Priest: the story of Mark E Smith and The Fall. London: Quartet Books.
- Graves, Robert (2017). The Greek Myths: the complete and definitive edition. London: Penguin. [This is a reissue of the combined single volume edition of 1992. First published in two volumes, 1955; reprinted with amendments, 1957; revised editions of both volumes, 1960; single volume edition, 1992]
- Mackay, Tommy (2018). 40 Odd Years of The Fall. Place of publication unknown: Greg Moodie.
- Pringle, Steve (2022). You Must Get Them All: The Fall on Record. [paperback edition]. Pontefract: Route Publishing Ltd. [Online store]
- Smith, Mark E. (1985). The Fall Lyrik & Texte Von Mark E. Smith. In Deutsch & Englisch. With Drawings by Brix. Berlin: The Lough Press. [AKA The Orange Book. Available online in The Internet Archive]
- Smith, Mark E. (2008). vII. The Lough Press & AMarquisManipulationProductions. [AKA the Blue Lyrics Book]
- Smith Start, Brix (2016). The Rise, The Fall, and The Rise. London: Faber & Faber. [Text available online in archive.org]
- The Track Record: “Who Makes The Nazis?”
- Wikipedia: Oenotropae
- Wolstencroft, Simon (2014). You Can Drum But You Canโt Hide: a memoir. Trowbridge: Strata Books. (2nd edition published by Route Publishing, 2017).
Views: 12
Reckon it’s ‘R.A.R. badges’ (i.e. Rock Against Racism)
Back at annotatedfall.doomby.com, there was continued debate about “R.A.R.” vs “R’n’R” vs “Arena” vs whatever. It’s always sounded like “R’n’R” to me, but I acknowledge that “R.A.R.” has the advantage of comfortably fitting a song referring to Nazis.
On the other hand, worth bearing in mind that some of the references in the text are to American themes.
Also just occurred to me that “R’n’R” might also refer to “Rolls Royce” badges.
I converge on some lyrics across multiple live versions, given that the enunciation on any particular recording can be ambiguous (of course he could just be saying different things on different occasions, and sometimes does). They’s a few live versions of Nazis where it is very obviously R.A.R., and this strikes me as a far superior lyric too. I think you need a bit of this ‘top-down’ approach, given that the ‘bottom-up’ signal is very unclear on some canonical versions.
Yes, it does often help to listen to lots of live versions.