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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment โ€“ Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC โ€“ expanded Digipak edition Disc 2
Reformation! Post TLC โ€“ expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Sรผdenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          We are The Fall
          Northern white crap that talks back 1
          We are not black, tall
          No boxes for us 2
          Do not fuck us
          We are frigid stars 3
          We were spitting, we were snapping
          "Cop out, cop out!"
          As in from heaven 4

          Commentary

          “The ‘White crap that talks back‘ thing was due to people in London being told that people in the North are thick, or warm, friendly people. A lot of bands masquerade, pretend that they’re the ‘Northern thing’. They don’t expect people like us to come out with what we do. We’re a ‘Manchester’ band, but we’re not The Smirks or Slaughter and The Dogs, spineless bands who just want to get up on that stage. It goes right back to The Hollies, Herman’s Hermits. I mean, nobody takes people like Slaughter and The Dogs seriously: beergut and peroxide and “wock ‘n’ woll” and coming on all mean, ha ha!

          “Like Gary Bushell or whoever must have a really hard time interviewing all these bands who have nothing to say. “Wayne stared into space and said, ‘The Fall is the sort of music you play to fridges.’โ€ฆ. ” Ha ha!

          “We’ve had white crap in this band: breadheads. I mean, like, everybody screaming “It’s the record companies, it’s the journalists, they’re screwing us.” But it’s not, it’s the fucking musicians! If they withdrew none of that could function. It’s only ‘cos they keep making compromises: they think they’re worth it.

          “We’re neither white crap, nor like “We’re talking about Art here, aren’t we?” Witch Trials’ was like a statement of that.”

          Mark E. Smith, interviewed by Ian Penman (NME, 5 January 1980, p.7)

          “Crap Rap” should be understood as a generic title for a particular thematic (“white crap”/”talks back”) strain of Mark E. Smith’s improvised or semi-improvised introductory spiels at gigs, perhaps stylistically rooted in that early period of The Fall where he was partly modelling himself on Lenny Bruce (see also “Live at the Witch Trials“).

          The label “Crap Rap” has been given to a bigger range of introductory statements that I am allowing. So that means that although “Crap Rap” is listed on The Legendary Chaos Tape/Live in London 1980, as “Middle Mass/Crap Rap”, it doesn’t count for my purposes because there’s no sign of the “white crap” lines.

          The version of “Crap Rap” on Live at the Witch Trials (1979) is titled “Crap Rap 2” (a second take, perhaps?) and is paired with “Like to Blow” as a single track. For that reason, bzfgt treated them together at annotatedfall.doomby.com. But as with many paired tracks they were not always combined at gigs and so I prefer to deal with them separately.

          “Crap Rap 2” is often seen as statement of intent. That’s exactly the phrase both Simon Ford (2003, p.60) and Steve Pringle (2022, p.40) use. Tommy Mackay (2018, p.20) describes it as “the gruppe mission statement”. It’s hard to disagree, although it’s the more obviously straightforward opening two lines that get cited most often: “We are The Fall / Northern white crap that talks back.” MES didn’t always insist on the “northernness” of The Fall.

          “Crap Rap” isn’t often found on setlists. There is a notable example, which is from the Greyhound, Croydon, gig on 7 May 1978 (Yvonne Pawlett’s debut). Here it precedes “Industrial Estate” and is listed as “White Crap”.

          Setlist: The Fall: Greyhound, Croydon, 7 May 1978. Note: “White Crap/Industrial Estate”. Source: https://thefall.org/gigography/gig78.html

          Canonical List of Crap Raps

          The following lists only include Crap Raps that satisfy my criteria. It differs, therefore from what The Fall Online – Gigography and The Track Record currently say.

          Click the arrow symbol for the detail.

          Official releases

          27 October 1979: Bircotes Leisure Centre, Bircotes. Included on ‘Totale’s Turns (It’s Now or Never)’ (1980), titled “Intro”.
          We are northern white crap that talks back
          We are The Fall
          We were spitting, we were stepping
          Cop out, cop out
          As in from heaven
          The difference between you and us is that we have brains
          'Cos we're northern white crap, but we talk back
          Uh oh, uh oh, uh oh, uh oh, uh oh, uh oh
          Bang fucking bang, the mighty fall
          The Fall, we are back
          We are back
          And this next number is Fiery Jack...

          “The difference between you and us is that we have brains” has rightly become an oft-quoted MES line.

          “Bang fucking bang, the mighty fall” (I’m not capitalising “fall” here in deference to the source, though MES no doubt intends the word to signify the group) is lifted – except for the word “fucking” – from the chorus of B.A. Robertson’s single “Bang Bang” (see genius.com for the lyrics), released in June 1979 and in the UK’s top 100 from 28 July to 13 October. It reached a peak of #2 in the chart for the week from 2 September to 8 September 1979 (see: Official Charts: Bang Bang).

          B.A. Robertson, “Bang Bang”. Performed on the BBC’s Top of the Pops, 6 September 1979. Source: YouTube, uploaded by user @TopPop, 24 February 2021.

          The almost entirely useless genius.com fails to provide any annotations to B.A. Robertson’s song, so I will:

          “This expression derives from the Bible. The earliest version in English is found in the Great Bible, Samuel 1:19, 1539:

          Oh howe are the myghtie ouerthrowen.

          The currently used ‘fallen’ version is found in the King James Version, 1611 and is a demonstration of David’s lament over Saul and Jonathan:

          1:19 The beauty of Israel is slain upon thy high places: how are the mighty fallen!”

          By Gary Martin, Phrase Finder: “How Are The Mighty Fallen?”.
          URL: https://phrases.org.uk/meanings/188450.html (consulted 31/12/2024)
          3 November 1979: JB’s, Dudley. Included on the Cherry Red 12 x CD box set, ‘The 1970s’ (2022), disc 12. Titled “Crap Rap/Before the Moon Falls”.
          Good evening, we are The Fall
          N W C that talks back
          You can get wise at half the price
          We were stepping, we were spitting
          Cop out, cop out
          Up here in the north there's no wage-packet jobs for us
          Thank Christ
          As the junior clergy demand more cash
          We spit in their plates and wait for the ice to melt
          We are The Fall
          Futuristic Aids on long legs
          As in from heaven

          Perhaps “wise at half the price” is a reference to Alan Wise? See also Middlesbrough, 4 November 1979.

          “Futuristic Aids” is probably a reference to Futuristic Aids Ltd. (AKA ‘FAL’), who made sound and lighting equipment such as amps. Perhaps it’s what MES could see in front of him on stage. See Middlesbrough, 4 November 1979 (i.e. the next day). Of course, “FALL” is an acronym of “Futuristic Aids on Long Legs”.

          The lines from “Up here in the north there’s no wage-packet jobs for us” to “We spit in their plates and wait for the ice to melt” usually formed the introduction to “Before the Moon Falls”. But sometimes they cropped up elsewhere.

          Unofficial live recordings

          15 September 1979: Prince of Wales Theatre, YMCA, London. Paired with “Psykick Dancehall”.
          We are The Fall
          Northern white crap that talks back
          We are not Black
          We are not female
          [ ?? ]
          There's no stars in the zone
          We stay at home and live on snacks
          We are northern white crap that talks back
          We are The Fall

          Inclues lines (“There’s no stars in the zone / We stay at home and live on snacks”) from “Like To Blow”.

          4 November 1979: Rock Garden, Middlesbrough. Paired with “Printhead”.
          Futuristic Aids with long legs
          Good evening, we are The Fall
          Northern white crap, but we talk back
          We were spitting, we were stepping
          Cop out, cop out
          As in from heaven
          You can get wise at half the price
          Get wise at half the price
          We are The Fall
          As in from heaven

          “Futuristic Aids” is probably a reference to Futuristic Aids Ltd. (AKA ‘FAL’), who made sound and lighting equipment such as amps. See Dudley, 3 November 1979 (i.e. the previous day).

          “Get wise at half the price” could be a reference to the legendary promoter/manager Alan Wise. See also Dudley, 3 November 1979.

          Influence

          Codeine’s debut album, Frigid Stars LP (1991), was titled after the line from “Crap Rap 2”:

          The title of Frigid Stars comes from a Mark E Smith lyric. What was your relationship with The Fall?

          We all love The Fall! Massive respect. John once told me that their version of “Smile” from the Speed Trials compilation [1989] was the greatest piece of music ever recorded. The Fall had a language we all really enjoyed and agreed on.

          Chris Brokaw, interviewed by Jack Milner in Uncut, August 2023.
          Cover: Codeine, Frigid Stars LP (1991). Sub Pop/Glitterhouse Records, GR 0135 [Discogs]

          Footnotes

          1. As noted in the commentary, the title “White Crap” appeared on at least one setlist. MES also used the phrase “white crap” in the lyrics for “In My Area”, which was the b-side to the Rowche Rumble 7″ (released 30 July 1979). โ†ฉ๏ธŽ
          2. “No boxes for us” is almost certainly a reference to Adam Ant’s “Antmanifesto”, dated 7 November 1978, which states “there are no boxes for us or our music”. See Maw (1981 p.156):




            โ†ฉ๏ธŽ
          3. As mentioned above, “frigid stars” was borrowed by the band Codeine for the title of their 1991 debut album. MES couldn’t claim to be the coiner of the phrase, since other writers used it before him. But that doesn’t mean he necessarily appropriated the phrase. Most other authors have used it poetically in relation to the stars of the night sky; MES may be playing with a double meaning, but “star” is used here in the ‘celebrated performer’ sense. โ†ฉ๏ธŽ
          4. Some listeners hear this as “acid from heaven”, but I think it is best understood as following on from the first line, “We are The Fall”, as a Biblical allusion. On stage, “We are The Fall, as in from heaven” was sometimes MES’ introductory statement.

            The venerable but now outdated The Fall Online-hosted Lyrics Parade had this as “as if from heaven”, which strikes me as a very different theological proposition. annotatedfall.doomby.com had “as in from heaven” from its inception, and it is also what I still hear, live and on record. It also matches what Mark E. Smith wrote on this handwritten gig flyer from 1979 (Source: https://thefall.org/gigography/gig79.html, see entry for 14 December) – although I acknowledge that what is written and what is sung often diverge. But still.

            โ†ฉ๏ธŽ

          Sources / Links

          • The Annotated Fall: “Crap Rap 2/Like to Blow” [Archived]
          • Ford, Simon (2003). Hip Priest: the story of Mark E Smith and The Fall. London: Quartet Books.
          • Mackay, Tommy (2018). 40 Odd Years of The Fall. Place of publication unknown: Greg Moodie.
          • Maw, James (1981). The Official Adam Ant Story. London: Futura Macdonald & Co. [Available online in the Internet Archive]
          • Milner, Jack (2023). “Q&A: Chris Brokaw: ‘We were learning as we went along’.” Uncut, August, Take 315. p.43.
          • Penman, Ian (1980). “All Fall Down.” New Musical Express, 5 January. pp.6-7. [Available online via The Fall Online – Bibliography. Page images or text]
          • Pringle, Steve (2022). You Must Get Them All: The Fall on Record. [paperback edition]. Pontefract: Route Publishing Ltd. [Online store]
          • The Track Record: “Crap Rap”
          • Wikipedia: Bang Bang (BA Robertson song)
          • Wikipedia: Frigid Stars LP (Codeine)
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          Gizmoman
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          Gizmoman
          31 March 2025 8:15 PM

          Think the “boxes” reference is movie related, nothing to do with Adam, the line is “Tall, no boxes for us”, diminutive movie heroes had to stand on boxes to be taller than their leading ladies (see Alan ladd).Always thought this was the case.
          http://killmedeadly.com/apple-boxes.html