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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Fall Heads Roll – Chapel Studio Demos
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son
Posthumous Collaborations
Post Script

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
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        Posts with annotations

        Lyrics


        R. Dean Taylor (1968)

        Red light, green light 
        Speeding though the dark night
        Driving through the pounding rain
        I gotta see Jane

        Windshield wiper splishing splashing
        Calling out her name
        Just gotta see Jane

        I left her arms to find my way
        To find a place for me in the world outside
        I wasn't alive, I could not survive
        The frantic pace
        The constant chase
        To win the race
        Turned my heart cold inside
        I gotta find what I left behind

        Red light, green light
        Speeding through the dark night
        Driving through the pounding rain
        I gotta see Jane
        Freeway, byway
        Tearing up the highway
        Running up a world insane
        Just gotta see Jane

        A town of steel that isn't real
        It could not feel what's in the heart of me
        I was so alone in a world of stone
        I missed her arms, that once held me
        That made me see, I was the lonely one
        But now and then I was running scared
        And I could feel the touch of time
        Turning the wheel of life to yesterday
        When love and happiness were mine
        I gotta find that world of Jane and me
        Liked it used to be

        Oh, I gotta see Jane
        Her love for me I pushed aside
        Walked out alone to face a world turned cold
        Although I tried I could not survive
        The frantic pace, the constant chase
        To win the race, it's not a part of me
        I've gotta find what I left behind
        Oh, I gotta see Jane
        I gotta see Jane

        The Fall (2001)

        Red light, green light 
        Going through the dark night
        Going through the pouring rain
        I gotta see Jane

        Window wiper splishing splashing
        Calling out her name
        I gotta see Jane

        I left her arms to find my way
        To plough my place in a world outside
        I could not survive
        [ ] 1

        The constant chase
        To win the race
        It's not a part of me
        I've gotta find what I left behind

        Red light, green light
        Going through the dark night
        Steering through the pouring rain
        I gotta see Jane

        Byway, highway
        Going up the highway
        Going on a world insane
        I gotta see Jane

        A town of steel
        That did not feel
        That is surreal
        It's not a part of me

        I've gotta find what I left behind

        The constant chase
        To win the race
        The frantic pace
        It's not a part of me

        I've gotta find what I left behind

        And I can feel her arms around me
        Reminded me of yesterday
        When love and happiness were mine

        I gotta see Jane
        I gotta see Jane
        Uh
        I gotta see Jane
        Yeah
        I gotta see Jane

        This is the police [ ] 2
        Give yourself up
        [ ]

        Commentary

        < Post in progress >

        “Gotta See Jane” was co-written by R. Dean Taylor, Eddie Holland and Ron Miller. It was first released as a single on Tamla Motown in 1968, reaching #17 in the UK charts. It only managed to get to #41 when re-released in September 1974 off the back of the belated success of “Ghost in My House” (also covered by The Fall of course). See Official Charts: “Gotta See Jane” (1968) / Official Charts: “Gotta See Jane” (1974). “Ghost…” had not troubled the charts when first released in 1966 but peaked at #3 when re-released in May 1974 having become popular among Northern Soul clubbers. Taylor toured Britain in the summer of 1974, making an appearance at the Wigan Casino on Saturday 20 July.

        On Tuesday 20 April 1999, Mark E. Smith appeared on The Breezeblock, a BBC Radio 1 show hosted by Mary Anne Hobbs. On the show, guests would play a kind of DJ mix of tracks of their choice. One of the songs Smith played was the original version of “Gotta See Jane”.

        The Fall’s cover of “Gotta See Jane” appeared the 2001 album Are You Are Missing Winner. A version of the song forms part of the last track on the album, “Reprise: Jane – Prof Mick – Ey Bastardo“.

        Live, “Gotta See Jane” was played on only three known occasions in October 2001: at Temple Bar Music Centre, Dublin, Ireland on 12 October; at the Bierkeller, Bristol, on 17 October; at VK, Brussels, Belgium on 19 October. Setlist information is lacking for some of the gigs during this period, so it may have been played more often than that.

        Footnotes

        1. Sometimes this line is transcribed as “Was deaf and blind”. This is wrong; I don’t know what it should be. ↩︎
        2. These last few lines are delivered as though through a police loudhailer, an interpolation of the ending of R. Dean Taylor’s Bonnie and Clyde-inspired song “Indiana Wants Me” (1970). Some sources have the first line as “This is a barbaric crisis”, which isn’t right. I think it starts “This is the police”, but I don’t know how it ends. The final line is often rendered “Lackie”, but it is entirely unclear to my ears. ↩︎
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