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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Fall Heads Roll – Chapel Studio Demos
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Lyrics


        Slapp Happy/Henry Cow 1

        [invocation]: Tell of the birth 2
        Tell how war appeared on earth 3

        Thunder and herbs
        Conjugated sacred Verbs
        Musicians with gongs
        Fertilised an egg with song
        Asleep in the sphere
        her foetus was a Knot of fear.
        She butted with her horn
        Split an egg and war was Born
        A miracle of hate
        She banged her spoon against her plate

        Upon her spoon this motto
        wonderfully designed:
        "Violence completes the partial mind." 4

        // Tell of the birth
        Tell how war appeared on earth

        Musicians with gongs
        Fertilised an egg with song
        She butted with her horn
        Split an egg and war was Born
        // 5

        Stacking the bones
        on the empty aerodrome
        Tinted turtle green
        She haunts the slender submarine
        She shakes her gory locks
        over the deserted docks.

        Come follow me
        Out of dark obscurity
        Follow my torch
        Pilgrims at the double march
        Through meadows & seas
        Abattoirs and Libraries
        The pilgrims increase
        Boasting they are led by peace
        They gut huts with gusto
        Pillage villages with verve
        War does what she has to
        People get what they deserve

        Upon her spoon this motto
        wonderfully designed:
        "Violence completes the partial mind."

        Anthony Moore 6

        Tell of the birth 
        Tell how war appeared on earth

        Thunder and herbs
        Conjugated sacred Verbs

        Collisions in time
        Paralyse the partial mind
        Asleep in the sphere
        her foetus was a Knot of fear.
        She butted with her horn
        Split an egg and war was Born
        A miracle of hate
        She banged her spoon against her plate

        On her spoon this motto
        Wonderfully designed:
        "Violence completes the partial mind."

        Stacking the bones
        On the empty aerodrome
        Tinted turtle green
        She haunts the slender submarine
        She shakes her gory locks
        Over the deserted docks

        Come follow me
        Out of dark obscurity
        Follow my torch
        People at the double march
        Through meadows and seas
        Abattoirs and libraries
        And still they increase
        Boasting they are led by peace

        On her spoon this motto
        Wonderfully designed:
        "Violence completes the partial mind."

        Tell of the birth
        Tell how war appeared on earth

        Thunder and herbs
        Conjugated sacred Verbs

        A miracle of hate
        She banged her spoon against her plate

        Stacking the bones
        On the empty aerodrome
        Tinted turtle green
        She haunts the slender submarine
        She shakes her gory locks
        Over the deserted docks

        They gut huts with gusto
        Pillage villages with verve
        War does what she has to
        People get what they deserve

        On her spoon this motto
        Wonderfully designed:
        "Violence completes the partial mind."

        The Fall / Middle Class Revolt

        Tell of the birth
        Tell how War appeared on earth 7

        Musicians with gongs
        Permeate the autobahns
        She split the egg
        Foetus of disgusting breath

        And she split the womb
        Cast a spell and War was born

        Come follow me
        Out of the obscurity
        Pilgrims in songs
        Swamp the empty aerodromes
        Kalashnikovs but no houses
        Women at the double, march
        No food for the spouses
        They wait for the U.S. drop
        Russians sit back and laugh

        While War casts her gory locks
        Over the deserted docks 8
        She casts the gory locks
        Over the deserted docks

        Tell of the birth
        Tell how War appeared on earth

        She cast a spell
        Split an egg and War was born
        And pillage hopes with gusto
        Even though they have no nerve
        And she does just look on
        And War does what she has to

        War does what she has to
        People get what they deserve

        Commentary

        < Post in progress >

        Is that a Henry Cow cover [“War”] on Middle Class Revolt? Are you actually a fan of that group or just that particular cut?

        Well, that’s not really Henry Cow, it’s Slapp Happy. No, I didn’t like a lot of that stuff, actually…

        I was kind of surprised that it was on there.

        Yeah, I find most of it very boring, though the Slapp Happy bits of it were good. I decided we should do it because it fit in with “Free Range” [single released during Operation Desert Storm] and stuff like that, what we’d been doing. But I went to get the Slapp Happy LP out, and I’d lost it; I hadn’t really played it for about eight years. So, all I had were the Iyrics on the back, and I had to explain it to the group, you know? from memory.

        I suppose that can sometimes be more fruitful than picking it out note-for-note…

        MES: Well, the funny thing was that I found the record again, and it’s a completely different bloody song. [laughs] Same Iyrics, you know, but the arrangement is completely different, not even the same notes. It’s funny what you think things sound like.

        Well, see, now you can put your name on it and get a piece of the publishing.

        MES: [Laughs] No, no, I don’t believe in that.

        Source: Tim Midgett (out of Silkworm) interview with MES, The Rocket, #189, 14-28 September 1994, p.16. See Sources/Links for availability.

        Note that MES’ reference to having the lyrics but not the record indicates that it was indeed the In Praise of Learning version that is being covered, rather than Anthony Moore’s solo version (because Moore’s album doesn’t have printed lyrics).

        Described as a “spirited” cover by Simon Ford (2003, p.228), and “strident, aggressive… One of the more successful covers.” by Steve Pringle (2022, p.275), this is one of my favourite cover versions by The Fall (I have a lot of time for Slapp Happy and a soft spot for much of Henry Cow). This despite not sounding very much like the original, presumably for the reasons explained by MES in his interview with Tim Midgett, above. Both Pringle and Tommy Mackay (2018, p.138) note a similarity of the guitar line to “Echo Beach” by Martha and the Muffins (1980).

        Slapp Happy/Henry Cow – version

        The story of the Slapp Happy/Henry Cow collaboration/semi-merger is liable to become a bit complicated, but here at Annotation Research Laboratories we laugh in the face of convoluted band histories.

        Anthony Moore – version

        The Fall – versions

        The Fall have officially released several versions of “War”:

        1. Mark Goodier radio session (1993). Length: c2:35.

        Recorded on 1 May 1993 and broadcast on 17 May 1993. This is the earliest version of The Fall’s cover to be recorded (it even predates the first known live performance, which was at Newcastle University Students’ Union on 6 May 1993 – though of course the session would not be broadcast for another 10 days or so), and is also the shortest.

        2. “Behind the Counter” 12″/CD single (1993). Length: 2:44.

        Recorded at Suite 16, Rochdale, mid-late 1993, and released in two parts on 13 December and 20 December. The version of “War” found on these records seems to be a slightly different mix/edit to the version which was to appear on the album, but the lyrics are no different.

        3. Middle Class Revolt LP/cass/CD album (1994). Length: 2:57.

        Tracks for the album were recorded at Suite 16, Rochdale (probably including “War”) and The Windings Studio, Wrexham, late 1993/early 1994. The album was released on 3 May 1994. This is the longest studio/session version of the song that The Fall recorded.

        Footnotes

        1. I’ve used as my starting point the lyrics as they appear on the sleeve of the original issue of In Praise of Learning, including idiosyncratic capitalisation, adjusting for what can actually be heard on the record. ↩︎
        2. “[invocation]” is a textual note, not sung. ↩︎
        3. War is personified in the text, so it seems appropriate to give the word a capitalised initial letter. This was not what was done when the text was printed on the original album, however, and so I feel obliged to follow that example for the In Praise of Learning text. But I’m right and Slappy Happy and Henry Cow are wrong, so my transcription of The Fall’s version capitalises “War”. ↩︎
        4. According to Peter Blegvad, the line “violence completes the partial mind” is “from Yeats” (see Cutler, 2019, p.55). I’ve checked, and it’s not actually an exact, word-for-word, quotation. The source is Yeats’ poem Under Ben Bulben, thought to have been written in August 1938, and first published in July 1939, six months after Yeats’ death at the age of 73. The relevant lines appear in part III of the poem:

          You that Mitchell’s prayer have heard,
          ‘Send war in our time, O Lord!’
          Know that when all words are said
          And a man is fighting mad,
          Something drops from eyes long blind,
          He completes his partial mind,
          For an instant stands at ease,
          Laughs aloud, his heart at peace.
          Even the wisest man grows tense
          With some sort of violence
          Before he can accomplish fate,
          Know his work or choose his mate.


          (Source: Yeats, 1985, p.398 – Available in the Internet Archive) ↩︎
        5. These repeated lines are omitted from the text on the back of the album, but they are heard on the record so I have included them here. ↩︎
        6. This version of the lyrics is my transcription from Anthony Moore’s 1979 album, Flying Doesn’t Help. It was originally released under the name “A. More”. ↩︎
        7. My transcription of The Fall’s version of the lyrics capitalises “War” because it’s a personification, in defiance of the plainly incorrect text published with the original album. ↩︎
        8. This line would probably make MES think of Salford Docks, which had been part of Manchester Docks and closed in 1982. The redevelopment of Salford Quays under City council control was underway but not yet completed c.1993/4. ↩︎
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