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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          Elvis Presley (Billy Hayes / Jay W. Johnson)

          I'll have a blue Christmas without you 
          I'll be so blue just thinking about you

          Decorations of red on a green Christmas tree
          Won't be the same dear, if you're not here with me
          And when those blue snowflakes start falling 1
          That's when those blue memories start calling

          You'll be doing alright 2
          With your Christmas of white
          But I'll have a blue, blue, blue, blue Christmas

          You'll be doing alright
          With your Christmas of white
          But I'll have a blue, blue, blue, blue Christmas

          The Fall

          < A very tentative transcription, because the poor long-suffering annotator is confronted by a vocal performance which is an unholy mess of slurring and yelping. Just send money. >

          You'll have a blue Christmas without me ... 3
          [incoherent]

          You'll be doing alright
          In your Christmas of white
          [incoherent]

          And when the blue snowflakes start falling
          [incoherent]

          Decorations of red on a green Christmas tree
          It's not the same dear, when you're not here with me

          And when the blue snowflakes start falling
          [incoherent]

          You'll be doing alright
          In your Christmas of white
          But I'll have a blue, blue, blue, blue Christmas

          [incoherent]

          Decorations of red on a green Christmas tree
          It's not the same dear, when you're not here with me

          When those blue snowflakes start falling
          [incoherent]

          You'll be doing alright
          In your Christmas of white
          I'll have a blue Christmas without you

          Commentary

          Elvis Presley’s version is the one most people will know, but “Blue Christmas” was originally recorded by the American country singer Doye O’Dell in 1948 (and covered several times subsequently). Elvis’ version is not lyrically identical to the original. There are also lyrical differences between the original, Elvis’ version, and other versions such as those by Johnny Cash (1963) and Dean Martin (1966). It’s a safe assumption that The Fall were covering Elvis’s version, but without being able to decipher the full lyric it is hard to be 100% sure.

          Elvis first recorded “Blue Christmas” for his 1957 Elvis’ Christmas Album LP, and it was this version that was released as a single at Christmas in 1964, reaching #11 in the UK charts (see Official Charts). It didn’t chart at the time in the U.S.

          Personally I’m very fond of Mary’s Margaret O’Hara‘s version of the song, which was released on her Christmas E.P. in 1991, but in the context of The Fall, the most notable cover version is the one by Shakin’ Stevens. It appeared on his four-track Special Edition EP (better known as The Shakin’ Stevens EP), released on 3 December 1982, and as the lead track on a two-track single released at around the same time. It reached #2 in the UK singles chart over Christmas that year (see the Official Charts entry). Shakin’ Stevens’ version is obviously based on Elvis’.

          M.E.S. inserted a comment on Shakin’ Stevens’ effort in the song “Ludd Gang” (the b-side of the “The Man Whose Head Expanded” single, 1983):

          I hate the guts of Shakin' Stevens for what he has done
          The massacre of "Blue Christmas", on him I'd like to land one on

          Despite this hostility, Shakin’ Stevens’ version of “Blue Christmas” had a second lease of life as the second track on the 12″ version of Stevens’ single “Merry Christmas Everyone“, which reached #1 in the UK singles chart (see the Official Charts entry) over Christmas and New Year 1985 – 1986.

          The Fall performed “Blue Christmas” just once that we know of: at the Laugh Inn, Chester, on 28 November 2011 (the last gig of the year). The group on that occasion were Keiron Melling, Eleni Poulou, Tim Presley, Mark E. Smith, and Dave Spurr. Tim Presley was standing in for guitarist Peter Greenway, who was absent on paternity leave for the string of dates through November 2011, returning to the group when gigging resumed in February 2012. No studio recordings have emerged and the sole live version (available as a bootleg audience recording) has never had a licensed release. See also “Werewolves of London“, a cover of a Warren Zevon song that was performed just once on the first date of the same November 2011 tour. Since the two covers begin and end the tour, during Tim Presley’s locum service, perhaps they have something to do with his being there – requested by or of him.

          Anyone who has heard the Laugh Inn rendition will appreciate the irony of Mark E. Smith’s swipe at Shakin’ Stevens in “Ludd Gang”. It’s frankly sloppy, and Eleni’s backing vocals come over as parodic, but it is not unentertaining in its way. Graham Duff, who was at the gig as part of a comedy-quiz support act, emphasises that the performance was completely unironic, “with Mark delivering the lyric with mournful sincerity.” (Smith and Duff, 2021). Steve Pringle (2022), however, is having none of it: “catastrophically tuneless” is his assessment (p.479).

          Tommy Mackay (2018, p.237) positions the Laugh Inn performance as an example of the group’s “annual tradition of playing a Christmas song.” But if you examine the gigographies, it’s not really much of a tradition at all: it was far more common for there not to be a Christmas song. By my count, it only happened six times. And on four of those six occasions, the song was “No Xmas for John Quays” (I’m not counting the 1978-1981 period when it was regularly on setlists in any case), which isn’t really what most people would think of as a “Christmas song”. So in fact, “Blue Christmas” is one of only two Christmas-themed cover versions documented to have been played live at Christmas or during the long run up to Christmas.

          Here’s my list of the other “Christmas songs”:

          • Hark the Herald Angels Sing” (Volksbuehne, Berlin: 24 December 1996. The only documented live performance of this song.)
          • No Xmas for John Quays” (Witchwood, Ashton: 22 December 1999. Not played on any other occasion that year.)
          • No Xmas for John Quays” (The Galtymore, Cricklewood, London: 30 November 2007. Not played on any other occasion that year.)
          • No Xmas for John Quays” (Picturedrome, Holmfirth: 29 November 2008. Not played on any other occasion that year.)
          • No Xmas for John Quays” (Brudenell Social Club, Leeds: 28 November 2014. Not played on any other occasion that year.)

          Footnotes

          1. Technically, snowflakes are translucent, but appear white due to the effect their crystalline structure has on light. ↩︎
          2. Could be “all right”, but the more informal “alright” fits better. ↩︎
          3. I think this is how M.E.S. renders the line, but it’s hard to be completely sure. If so, it reverses the point of view of the verses, and contradicts the “you’ll be doing alright” chorus. ↩︎

          Sources / Links

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