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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Fall Heads Roll – Chapel Studio Demos
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son
Posthumous Collaborations
Post Script

    Covers
    Instrumentals
    Peel Sessions
    1978-May-30

    Mark E. Smith – solo/spoken word
    Greenwich Sound Radio (1983)
    The Post Nearly Man
    Pander! Panda! Panzer!
      Mark E. Smith – Collaborations and Guest Vocals
      Von Südenfed
        etc

          Posts in modified date order (last 15)
          Posts in progress
          Posts with annotations

          Lyrics


          Peel Session Version (1978)

          Late twentieth century was late and just said "yes" or "no" 
          I was mistaken for sarcasm, even belligerence
          Noun, 'to fight'

          Putting me away but I'll be back someday 1
          Putting me away but I'll be back someday
          Prisoner for a year and a day
          Putting me away but I'll be back someday

          A bust doorbell sound and the door broken down 2
          A doorbell sound and the door broken down
          They rang and rang but I never went down

          And now they're putting me away but I'll be back someday
          Putting me away but I'll be back someday

          I thought it was a follower, friend, rent-man or split end
          Follower, friend or some local men
          I used to drink a bottle of vodka a day

          Well now they're putting me away and I'll be back someday
          Putting me away but I'll be back someday

          They rang and rang but I never went down
          When people ring I never go down
          All metal walls now I'm sent down

          And they're putting me away but I'll be back someday
          Putting me away but I'll be ba ba ba ba ba ba bow
          Ba ba ba ba ba ba ba bow

          My nice side's gone 3
          My nice side gone but it won't be long
          Si-si long now it's gone
          Just two girls and a millionaire 4

          And they're putting me away but I'll be back someday
          Putting me away but I'll be back someday

          No sex or records for a year and a day
          They're putting me away but I'll be back someday
          Someday

          Album Version (1979)

          Ba da ba da ba da ba da! 
          Late twentieth century was late and just said "yes" or "no"
          And was mistaken for sarcasm, even belligerent
          Noun, 'to fight'

          Putting me away but I'll be back someday
          Putting me away but I'll be back someday
          Prisoner for a year and a day
          Putting me away but I'll be back someday

          A bust doorbell sound and the door broken down
          A doorbell sound and the door broken down
          They rang and rang but I never went down

          And now they're putting me away but I'll be back someday
          Putting me away but I'll be ba ba ba ba ba ba bow
          Ba ba ba ba ba ba ba bow

          They rang and rang but I never went down
          When people ring I never go down
          All metal walls now I'm sent down

          And they're putting me away but I'll be back someday
          Putting me away but I'll be back someday

          My nice side's gone but it won't be long
          Si-si long now it's gone
          Just two girls and a millionaire
          And they're putting me away but I'll be back someday
          Putting me away but I'll be ba ba ba ba ba ba bow
          Ba ba ba ba ba ba ba bow

          No sex or records for a year and a day
          They're putting me away

          I've been bunged up, I've been banged up
          I've been moved up, I've been banged up
          I said ba da ba da ba da badaaaaa

          [ ] You make it [ ] 5

          That'll be right then 6

          Commentary

          Dragnet sleevenotes

          PUT AWAY (MES) …. In The Rack Under ‘F’ – A sort of sequel to “Angles”.

          From the sleevenotes to Dragnet (1979).

          Credited solely to Mark E. Smith, “Put Away” was first recorded on 27 November 1978 for The Fall’s second Peel Session, broadcast on 6 December the same year. The group at the time consisted of Martin Bramah, Karl Burns, Yvonne Pawlett, Marc Riley and Mark E. Smith. Bramah, Burns and Pawlett had all left The Fall by the time the group entered Cargo Studios in Rochdale to record Dragnet from 2 – 4 August 1979. The album version features Riley and Smith alongside new recruits Steve Hanley, Mike Leigh and Craig Scanlon. Lyrically there is little substantive difference between the Peel and Dragnet versions.

          There are only nine documented performances of “Put Away”, all of them recorded from the audience. It seems likely that it was played at most of the other gigs during the November – February 1978 period as well, but we don’t have the setlists or recordings to prove it. After Bowdon Vale in early 1979, the evidence suggests the song was retired until the summer of 1979, perhaps as perparation for the recording of Dragnet. It wasn’t heard again, as far as we know, until an unexplained short revival in the autumn of 1981. Only two performances are documented, but it is possible that there were more – setlists don’t currently exist for some of the gigs at the time.

          • 13 November 1978 – Carlton Club, Warrington
          • 25 November 1978 – Prestwich Hospital Social Club, Prestwich
          • 8 December 1978 – Teazers, Dundee
          • 17 December 1978 – Marquee, London
          • 14 February 1979 – Bowdon Vale Youth Club, Altrincham (early set)
          • 14 February 1979 – Bowdon Vale Youth Club, Altrincham (late set)
          • 19 July 1979 – Marquee, London
          • 4 September 1981 – Phoenix Hall, Sheffield Polytechnic, Sheffield
          • 1 November 1981 – Top Rank, Plymouth

          “Put Away” and “Flat of Angles” as Diptych

          Taking Dragnet’s sleevenotes at face value, and interpreting “Put Away” as a “sort of sequel” to “Flat of Angles”, it’s interesting that the latter lyric is mostly in the third person whereas “Put Away” is wholly in the first person.

          Lyrics sheet, “Put Away”

          Footnotes

          1. There’s a Howlin’ Wolf song titled “I’ll Be Back Someday”. I only mention this because there are Howlin’ Wolf echoes in other songs. ↩︎
          2. This echoes a line from “Flat of Angles“: “And sometimes bell busts under the rings from many callers”. ↩︎
          3. The Lyrics Parade had “night-sight” instead of “nice side”, a reading The Fall Online has inherited. ↩︎
          4. Two Girls and a Millionaire was a play written by the Oldham-born playwright Keith Dewhurst (1931 – 2025), and produced by ATV for the ITV network. It was first broadcast on Tuesday 17 October 1978 (including by M.E.S.’s local Granada channel), about a month before “Put Away”‘s live debut. Credit to The Annotated Fall commenter @Aubrey for pointing this out in a post dated 17 November 2020 on the old doomby.com site.

            Keith Dewhurst’s Papers are held by the library of the University of Sheffield, in their Special Collections and Archives Department (Link). On 19 April 2022 I visited by appointment and was able to consult Dewhurst’s exercise books which contained handwritten drafts of the screenplay, including authorial annotations, as well as a copy of the rehearsal script. As a result of this time-consuming research, I am able to report that the lyric owes nothing whatsoever to the text of the play, except that M.E.S. probably nicked the title. Great.

            Cover sheet, "Two Girls and a Millionaire", by Keith Dewhurst. From the Dewhurst Papers, University of Sheffield Special Collections and Archives Repository. ↩︎
          5. A snippet of dialogue, spoken by Mark E. Smith. ↩︎
          6. A snippet of dialogue, spoken by Mike Leigh. The old Lyrics Parade, now incorporated into the lyrics at The Fall Online, attribute the line to Marc Riley, but at the doomby.com iteration of The Annotated Fall, user @Bob commented on 11 June 2016 that Leigh had informed him that it was actually him (Leigh). ↩︎
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          Puppeteer

          “Late twentieth century was late and just said ‘yes’ or ‘no’ / And was mistaken for sarcasm, even belligerent” This is describing a world that has lost its nuance. If you don’t speak the plain language of the wage packet society, your silence or your complexity is viewed as an act of war—a “Noun, ‘to fight’.” “They rang and rang but I never went down.” This is the stance of The Fall, total refusal to engage with the “callers” (as we’ve seen with other songs on this album, they could include the Gas Board, the police, the critics). Because he wouldn’t go down to meet them, they broke the door down. “All metal walls” may represent the shift from experiencing your rented flat as a home to a prison cell. “Year and a day” is a specific legal and folkloric term. In old English law, if a person died within a year and a day of an assault, the attacker could be charged with murder. In fairy tales, it’s the standard length of a curse or a sentence. “No sex or records for a year and a day” These are two things that make life bearable. Being put away isn’t just about losing freedom; it’s about being cut off from human connection. “My nice side’s gone” Prison or social ostracization has stripped away the narrator’s nice side. What’s left is the shouting, the heavy clout, and the one note, all referenced in other songs on the album. “I’ll be back someday.” The Fall is almost threatening his listeners that he’ll be “back someday,” that they won’t end even after a year and a day sentence. They are just resting in the metal walls before coming back to mix the pop-stock (from a prior song on the album) once more.