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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
The Frenz Experiment
Bremen Nacht Run Out 7″
The Frenz Experiment – Cassette/CD bonus tracks
I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
Extricate – Cassette/CD bonus tracks
Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
The Infotainment Scan
The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
The Marshall Suite
Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
Singles and EPs
Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
Instrumentals
Peel Sessions
1978-May-30

Mark E. Smith – solo/spoken word
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
        Posts in progress
        Posts with annotations

        Table of Contents

          Lyrics


          Gene Pitney

          The wheels of my old car are turning, burning up the highway
          Tonight that girl of mine will be yearning for not learning to see things my way
          She hurt me for the very last time, I'm not hanging around
          I'll show her I can leave her behind
          I'm getting out of town (I'm gettin' out of town)
          I won't back down (I won't back down)
          I won't back down (I won't back down)

          Last exit to Brooklyn, last chance to turn around
          Last exit to Brooklyn, gonna keep these wheels of mine covering ground

          Last night I caught that girl lying, trying to deceive me
          And now all of these tears she's crying I'm not buying, you better believe me
          She swore that she was mine alone, our love would never die
          I'm leaving now for parts unknown
          I saw her with that guy (I saw her with that guy)
          That's the reason why (that's the reason why)
          I'll be passing by (I'll be passing by)

          The last exit to Brooklyn, the last chance to turn around
          The last exit to Brooklyn, gonna keep these wheels of mine covering ground
          On the last exit to Brooklyn, the last chance to turn around
          The last exit to Brooklyn, the last chance to turn around

          The Fall

          You gotta keep those wheels of mine
          Rolling and burning down the highway
          Last night that girl of mine left me yearning
          Best start learning to see things my way

          Hit me for the very first time
          And we're gonna turn around
          I'm leaving her love behind
          And getting out of town
          I won't back down
          I won't turn round
          From the last exit to Brooklyn
          Last chance to turn around
          Last exit to Brooklyn
          Gonna keep these old wheels going covering ground

          Last night that girl of mine left me trying
          And lying she deceived me
          [I'll alter] all these tears with the wipers 1
          You'd better believe me
          She said she was mine alone
          But I know otherwise
          I thought she was mine alone
          I saw her with a guy
          I want her back
          It's all in the past 2

          That's why I'm last exit to Brooklyn
          Last chance to turn around
          Last exit to Brooklyn
          Last chance to turn around

          She said she was mine alone
          Da da da da da da
          Da da da da da da da
          I saw her with a guy
          And that's the reason why
          I'll pass the last
          The last exit to Brooklyn
          The last chance to turn around
          The last exit to Brooklyn
          The last chance to turn around
          The last exit to Brooklyn
          The last chance to turn around

          Commentary

          “Last Chance to Turn Around”, was composed by Victor Millrose with lyrics by Anthony Bruno and Stanley Kahan. Gene Pitney (1940-2006) had a top twenty hit with the song in the US in 1965. In the UK it was released as the b-side to “Looking Through the Eyes of Love” (Label: Stateside; catalogue number: SS420), which peaked at #3. According to the What Was Left In blog (see “Sources/Links” below), Bruno, Elgin and Millrose originally titled their song, “Last Exit to Brooklyn”, but changed it because there was already a song with that title (maybe the Scott Bedford Four’s “Last Exit to Brooklyn”, also released in 1965). However, it has also been plausibly claimed that the record company changed the title to avoid association with Hubert Selby Jr’s then-controversial novel, published in 1964.

          The title of the novel is supposedly based on an actual road sign. Selby himself said so:

          AV: How did you choose the title Last Exit to Brooklyn?

          HS: The title comes from a sign on the Belt Parkway as it goes from Brooklyn into Queens. There is an exit sign which says “Last Exit to Brooklyn”. There is also another sign at the other end just before you go into Brooklyn Battery Tunnel that says “Last Exit to Brooklyn Street”.

          Hubert Selby Jr, from the interview in Vorda (1993, p.195)

          However, this seems to be false: despite the Internet being full of people making competing confident claims about where they think the sign can (or could) be located, I have found no pictorial evidence that a “Last Exit to Brooklyn” sign ever existed. There are, however, “Last exit before toll” signs, so perhaps people are misremembering. Any reader who thinks they can prove that the sign did exist is welcome to post photographic evidence or a Google Street View link in the comments.

          The Fall’s version of “Last Change to Turn Around” first appeared on the 1996 album Light User Syndrome and features MES on vocals, Brix Smith on guitar and vocals, Steve Hanley on bass, Julia Nagle on keyboards and guitar, Simon Wolstencroft on drums and programming and Karl Burns on drums, guitar and vocals.

          A slightly different version, retitled “Last Chance to Turn Around (Last Exit to Brooklyn)”, appeared the following year on the Receiver Records compilation, Cheetham Hill. The song was never performed live.

          “Last Chance to Turn Around” is not regarded as one of The Fall’s most successful cover versions.

          Dave Thompson’s assessment (“so unrecognisable that a change of title… is the least of its problems.”) is somewhat undermined by his inaccurate belief that Pitney’s original was titled “Last Exit to Brooklyn”, which of course it wasn’t (2003, p.147). Mind you, some reviewers of Light User Syndrome when it was first released made the same mistake – John Mulvey in New Musical Express, for example, thought Pitney’s song had been retitled. Mulvey seems to have quite liked what he described as The Fall’s “demented, parping gallop” through the song (1996, p.50).

          Simon Ford dismisses “Last Chance to Turn Around” as “very missable” (2003, p.243), and according to Steve Pringle, while it has “a bit more oomph than the original”, nevertheless “the cheesy 80s brass section-effect keyboards are a little toe-curling. In addition, Smith is very much in just-got-back-from-the-pub-which-song-is-this-again? mode.” (2022, p.310). But Tommy MacKay is more positive: “it’s not what you expect from The Fall, which, of course, is just what you should expect. A great swirling beast of loud pop with a singalong chorus, no less.” (2018, p.158).

          Footnotes

          1. In the Gene Pitney original, it’s the girl who is crying. In The Fall’s version is is not clear whether it is the girl or the narrator (“wipers” strongly suggests windscreen wipers, and therefore the image of the narrator crying as he drives). ↩︎
          2. “I want her back / It’s all the past”. A curious contradiction in MES’ version of the lyrics, unless it’s supposed to be “.. but it’s all in the past.” In any case, there’s no “I want her back” get out clause in the Gene Pitney original. ↩︎

          Sources / Links

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