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Albums (and Slates)
Live at the Witch Trials
Dragnet
Grotesque (After the Gramme)
Slates
Hex Enduction Hour
Room to Live
Perverted by Language
The Wonderful and Frightening World of…
This Nation’s Saving Grace
Bend Sinister
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Bremen Nacht Run Out 7″
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I am Kurious Oranj
I am Kurious Oranj – Cassette/CD bonus tracks
Extricate
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Shift-Work
Shift-Work – Cassette/CD bonus tracks
Code: Selfish
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The Infotainment Scan – CD bonus tracks
Middle Class Revolt
Cerebral Caustic
The Light User Syndrome
Levitate
Limited Edition Bonus CD
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Limited Edition LP bonus track
The Unutterable
The Unutterable – CD2: Testa Rossa Monitor Mixes
Are You Are Missing Winner
AYAMW 2006 Sanctuary Reissue – bonus tracks
The Real New Fall LP
The Real New Fall LP (Narnack US edition)
Country on the Click (Original Version)
Fall Heads Roll
Reformation! Post TLC
Reformation! Post TLC – Slogan/Sanctuary UK edition
Reformation Post TLC – Narnack US edition
Reformation! Post TLC – expanded Digipak edition Disc 2
Reformation! Post TLC – expanded Digipak edition Disc 3: Early Rough Mixes 2006
Imperial Wax Solvent
Imperial Wax Solvent – Britannia Row Recordings
Your Future Our Clutter
Your Future Our Clutter – LP bonus tracks
Ersatz GB
Re-Mit
Sub-Lingual Tablet
New Facts Emerge
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Bingo-Master’s Break-Out
It’s the New Thing
Rowche Rumble
Fiery Jack
How I Wrote ‘Elastic Man’
Totally Wired
Lie Dream of a Casino Soul
Look, Know
The Man Whose Head Expanded
Kicker Conspiracy / Wings
Marquis Cha-Cha
Oh! Brother
c.r.e.e.p.
Call for Escape Route
Couldn’t Get Ahead / Rollin’ Dany
Cruiser’s Creek
Living Too Late
Mr. Pharmacist
Hey! Luciani
There’s a Ghost in My House
The Peel Sessions EP
Hit the North
Victoria
Jerusalem/Big New Prinz
Cab It Up
Telephone Thing
Popcorn Double Feature
Popcorn Double Feature – Limited Edition
White Lightning
The Dredger EP
High Tension Line
Free Range
Ed’s Babe
Kimble
Why Are People Grudgeful?
Behind the Counter
Behind the Counter, part 1
Behind the Counter, part 2
15 Ways
The Chiselers
Masquerade
Masquerade CD One
Masquerade CD Two
Masquerade 10″
Touch Sensitive
F-‘oldin’ Money
F-‘oldin’ Money – CD #1
F-‘oldin’ Money – CD #2
Rude (All the Time) 7″
The Fall vs. 2003
(We Wish You) A Protein Christmas
Theme from Sparta F.C. #2
Theme from Sparta F.C. #2 – Enhanced CD
2 Librans
Blind Man
Rude (All the Time) EP
I Can Hear the Grass Grow
I Can Hear the Grass Grow – Slogan/Sanctuary 7″
I Can Hear the Grass Grow – Narnack US CD edition
Fall Sound
Reformation! The Single
Slippy Floor
Bury!
Laptop Dog
Night of the Humerons
Sir William Wray
The Remainderer
Wise Ol’ Man
Masquerade (2017 Record Store Day 7″)
O-Mit
Live/Studio Hybrid
Totale’s Turns (It’s Now or Never)
Seminal Live
Seminal Live – Cassette/CD bonus tracks
The Twenty-Seven Points
2G+2
Interim
Live Uurop VIII-XII Places in Sun And Winter, Son

Covers
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1978-May-30

Mark E. Smith – solo/spoken word
Greenwich Sound Radio (1983)
The Post Nearly Man
Pander! Panda! Panzer!
    Mark E. Smith – Collaborations and Guest Vocals
    Von Südenfed
      etc

        Posts in modified date order (last 15)
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        Table of Contents

          Lyrics


          Vince Taylor

          Well my baby drove off in a brand new Cadillac
          Ooh, my baby drove off in a brand new Cadillac
          Well she looked at me, daddy, I ain't never comin' back

          I said baby, baby, baby, won't you listen to me
          Come on sugar, come on hear my plea
          Well she looked at my Ford, we'll never agree
          Cadillac car! Oh yeah!

          Well the Caddy's rollin' and going 'bout ninety-five 1
          Well the Caddy's rollin' and going 'bout ninety-five
          Well me and my Ford, we're right by here side

          I said baby, baby, baby, won't you listen to me
          Come on baby, come on hear my plea
          Turn that big car around, come on back to me
          Hangin' on Scotty, here we go!

          Well my baby took off in a brand new Cadillac
          Ooh, my baby took off in a brand new Cadillac
          Well she looked at me, daddy, I ain't never comin' back

          I ain't never comin' back
          I ain't never comin' back
          I ain't never comin' back

          The Fall

          Well my baby drove off in a brand new Cadillac
          My baby drove off in a brand new Cadillac
          Said "baby, I ain't never comin' back"

          I said, "baby, baby, baby, won't you listen to me"
          "Come on sugar, come on hear my plea"
          "Turn that big car around, come on back to me"

          Well the Caddy's rollin' and going 'bout ninety-five
          Well the Caddy's rollin' and going 'bout ninety-five
          [ ]

          I said, "baby, baby, baby, won't you listen to me"
          "Come on baby, come on hear my plea"
          "Turn that big car around, come on back to me"

          My baby took off in a brand new Cadillac
          Well, my baby took off in a brand new Cadillac
          Well she looked at me, "I ain't never comin' back"

          She ain't never comin' back
          She ain't never comin' back
          [ ]

          Commentary

          < Post in progress >

          Vince Taylor.

          “Brand New Cadillac” was written by Vince Taylor (the stage name of Brian Holden) and originally released by Vince Taylor and His Playboys as the B-side to “Pledgin’ My Love” in April 1959 (it wasn’t a UK hit). It’s a relatively early example of an ‘original’ British rock and roll song, albeit contemporary photos and footage seem to show that Taylor’s act and leather-clad image was copied pretty much wholesale from Gene Vincent.

          Although it was an original composition, “Brand New Cadillac” is clearly a pastiche of romanticised American rock and roll culture. The very use of the Cadillac brand name is symptomatic of that. Cadillac were one of the earliest American car-makers, founded in 1902 and bought by General Motors in 1909. A luxury brand (equivalent to Rolls Royce), not made in Britain, there would have been few Cadillacs in the country in 1959, and those few would have been reserved to those wealthy enough to buy them on import (Lendrum & Hartman, who had a showroom in London’s posh Mayfair district from 1927, were the approved importers).

          “Brand New Cadillac” has been covered many times, most famously by The Clash for their album London Calling (1979). As far as I can tell The Clash don’t seem to have played it live before 1979.

          The song is listed on Mark E. Smith’s draft setlist for the nascent Fall, then known as The Outsiders, dated to circa December 1976, and also appears in the “Recorded/presentable – covers” category on the “The Outsiders Group – output + kraft” document dated 25 January 1977.

          Source: Letter to Tony Friel from Mark E. Smith, 20 December 1976, via The Fall Online Gigography, originally part of a set of letters uploaded by Friel to his atomicsoup.co.uk website (now defunct), but quickly removed. See: https://thefall.org/gigography/gig77.html
          Source: ‘The OUTSIDERS GROUP’ – output + kraft. Letter to Tony Friel from Mark E. Smith, 25 January 1977, via The Fall Online Gigography. See: https://thefall.org/gigography/gig77.html. Originally part of a set of letters uploaded by Friel to his now defunct website atomicsoup.co.uk, but quickly removed.

          No studio version of The Fall’s cover is known to exist.

          The earliest documented live performance of “Brand New Cadillac” by The Fall was at The Squat, Manchester, on 26 May 1978 (predating The Clash, therefore). It’s possible that it was played prior to that, given the holes in the documentary record, but on the other hand our knowledge of The Fall’s early gigs has been dramatically expanded by Omega Auctions’ sales of setlist records from Mark E. Smith’s personal files, covering several gigs during the 1977 – 1978 period, and there remains no evidence of it having been played before that Squat date. Its last known outing (acknowledging again the incompleteness of our records) was at Eric’s, Liverpool, on 28 July 1978. In those few months it is known to have been played six times, and recorded twice.

          Tommy Mackay, having only heard the Band on the Wall version when he wrote his book, found it a “fairly unremarkable cover with lo-fi tinny sound”, but professed to find the “repeated shouted ending of ‘Cada!… Lac!” “entertaining” (2018, p.21).

          Footnotes

          1. Presumably 95 kph, rather than mph. ↩︎

          Sources / Links

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